The Good and the Bad(Good) of Large Scale

The Good and the Bad(Good) of Large Scale

As an artist, I am constantly exploring and searching for the perfect balance between creative expression and efficiency.

The idea of being able to quickly iterate on a small scale, and then move on to the next project, sounds like the perfect solution for anyone looking to avoid the artistic pain that often comes with longer, more complex projects.

But as any fellow artist who has attempted to work small can attest, the reality is far from the myth. Despite my inclination to the idea in reality working small scale is no guarantee of a pain-free artistic process. In fact, I often find myself struggling to achieve the same level of depth and complexity that I could achieve on a larger canvas.

That's why, despite the challenges, I find myself continually drawn back to working large scale. There's something about the sheer size and scope of a large print that allows me to fully embrace my artistic vision and create something truly unique and impactful.

So today, I stepped into my studio with a 50-yard roll of printmaking paper, to get the sheets ready for printing day tomorrow. It's an overwhelming feeling, to be sure, but one that I embrace wholeheartedly. This is Reeves 300g paper.

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